'Empire' Season Finale: Witty, Uneven, Crazy, and Shrewd

Warning: This post contains storyline and character spoilers from tonight’s Empire season finale.
Over the course of a dozen episodes, Empire has become one of the most entertaining shows on television: risky and outlandish, realistic and outrageous, witty and daringly cornball. The two-hour season finale on Wednesday night — really two separate episodes shown back-to-back — combined all of these elements.
The Empire evening began with Terrence Howard proclaiming, “Lucious Lyon becomes a god.” The Empire night ended with the biggest Lyon in a cage.
In between, we witnessed Empire’s most uneven hours, filled with moments that were sometimes wonderful (I jumped when Lucious decked son Hakeem with a solid right to the jaw) and sometimes ridiculous (I didn’t need to be told Debbie Allen directed the second hour, not when Jamal sang while a dancer that looked like a young Debbie Allen did some cringy interpretive dance in the background).
In between, we witnessed Empire’s most uneven hours, filled with moments that were sometimes wonderful (I jumped when Lucious decked son Hakeem with a solid right to the jaw) and sometimes ridiculous (I didn’t need to be told Debbie Allen directed the second hour, not when Jamal sang while a dancer that looked like a young Debbie Allen did some cringy interpretive dance in the background).
There were stretches on Wednesday when it seemed as thoughEmpire had turned into an R&B version of PBS’s Wall Street Week: Thank goodness that IPO finally happened, because I was heartily tired of having it explained to me, and the finale also started running the phrase “hostile takeover” into the ground as well.
Empire made good, however, on the other season-long theme — the competition among the three brothers as to who would take over the Lyon empire. Heir apparent Jamal didn’t need to engage in a rap showdown with Black Rambo shot in the manner of an 8 Mile outtake: He more than proved his fighting spirit by dangling Judd Nelson over a balcony. (Nelson’s Billy Baretti was certainly the show’s best outside-the-family creator of friction.)

One characteristic of Empire that’s made it such a sustained hoot is the way it raises subjects and characters that, on a lesser show, would initiate long, multi-episode arcs — but on Empire, those narratives, those people, are quickly summed up and discarded. No one less than Oscar-winner Jennifer Hudson was almost gleefully traduced this night: Introduced recently as Michelle White, a spiritual savior/therapist for Andre, this week she was brought low as a gospel singer who’d sell out her church for an Empire contract and a featured spot in the “Cookie Lyon Presents The Lucious Lyon Sound” concert. (By the way, wasn’t that much-hyped event the very definition of anticlimactic?)
